Séamus Begley & a chairde | 19.00 Lá 'le Stiofáin

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  • Опубликовано: 17 дек 2014
  • Clár le ceiliúradh a dhéanamh ar an gceoltóir agus ar an amhránaí iomráiteach, Séamus Begley, a taifeadadh le linn Oireachtas na Gaeilge 2014. I measc na gceoltóirí agus na n-amhránaithe den scoth a bheidh ina theannta beidh Sharon Shannon, Dermot Byrne, Steve Cooney, Jim Murray, Oisín Mac Diarmada, Noel Hill, Rita Connolly, Rinceoirí Seit Chiarraí Thiar, a chlann féin agus a mhuintir ó Bhaile na bPoc agus tuilleadh nach iad.
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Комментарии • 19

  • @nigelkennedy3427
    @nigelkennedy3427 Год назад +6

    RIP Seamus - and I'll always remember those beautiful sessions we had all those years ago down in Dingle. Thanks man.

  • @liamgaynor3576
    @liamgaynor3576 Год назад +1

    Incredible, wonderful, beautiful and brilliant

  • @JackMcCarthyFL
    @JackMcCarthyFL 9 лет назад +3

    Brilliant stuff

  • @maureenmartin4730
    @maureenmartin4730 Год назад

    It was hard work playing that accordion as he used his hands arms shoulders legs and feet. Exhausting stuff but GREAT⭐️

  • @denisryan4984
    @denisryan4984 4 года назад +2

    cumhachtaí draíochta!!

  • @christ6493
    @christ6493 6 лет назад +2

    I know it as the Tooramore Slide

  • @OShaughnessyC
    @OShaughnessyC 8 лет назад +5

    Can it get better than this?!

    • @denisryan4984
      @denisryan4984 4 года назад

      If it has I'd love to see it. Unreal

  • @lubiehotdogi
    @lubiehotdogi 8 лет назад +2

    can anyone tell me the name of the first tune?

  • @bonenfant96
    @bonenfant96 9 лет назад +1

    I never could understand the new trend that consist to put a capo up the neck.A guitan sounds so much better with no capo at all.

    • @bassplayinggoalie
      @bassplayinggoalie 8 лет назад +4

      Subjective of course. The capo may be relatively new in the extensive history of Irish trad, but then so is the guitar itself.
      Using a capo or alternate tuning (in this case both) allows a guitarist to play chord voicings that can't be played otherwise.
      Cooney's guitar sounds are defined both by his playing style and his choice of chord voicings. His use of DADGBD has inspired Tim Edey, Jim Murray and others to adopt the tuning too.
      But you don't have to like it :)

    • @bonenfant96
      @bonenfant96 8 лет назад

      Well I like the alternative tunings on both guitar and the fiddle. It's the capo I'm not sure. Before it, what did they do ? Now almost every guitarist use them. It's a trend.

    • @irishgandalf757
      @irishgandalf757 6 лет назад +3

      Steve Cooney has been gigging professionally since the early 90s at least, if not the mid to late 80s so he's not following any trend and if there is they're copying him. He's originally Australian and it was likely a practical choice of "how am I going to be able to accompany a box? I need to get paid at the end of the night". Source: I grew up listening to this pair gigging live all through the 90s.

    • @mixerD1-
      @mixerD1- 4 года назад +1

      @@irishgandalf757
      The 70s, he played with Planxty...or possibly Stockton Wing...

    • @mixerD1-
      @mixerD1- 4 года назад

      It's just to do with the overall sound, it gives a tight and crisp sound to the guitar playability that suits the way Seamus Begley plays. Far from a trend...